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SUPERBOOTH

SUPERBOOTH
  • SUPERPAINT

    SUPERPAINT
  • NO MACHINE IS CREATIVE!

    NO MACHINE IS CREATIVE!
  • [µ] – the most minimalist multiplayer console series

    [µ] – the most minimalist multiplayer console series
  • SHAPED BY MOTION

    SHAPED BY MOTION
  • THE HUMAN BODY IN DIGITAL SPACE

    THE HUMAN BODY IN DIGITAL SPACE
  • EXO:ORGAN

    EXO:ORGAN
  • biomorph interfaces for the hand & finger

    biomorph interfaces for the hand & finger
  • WE ARE JUST REMOTELY TOUCHING*

    WE ARE JUST REMOTELY TOUCHING*
  • CROWD CONTROL

    CROWD CONTROL
  • คr¢hiงē

    LUCID

    Die Arbeit LUCID untersucht, wie gestalterisch-kreative Interaktionen zwischen Menschen und Maschinen zukünftig aussehen könnten. Die Grundlage der Arbeit ist die Entwicklung neuer textiler Muster, die mithilfe einer digitalen Anwendung und […]

    FLUFFY

    FLUFFY is a collaborative project realized together with fashion designer Eva Howitz of HOWITZWEISSBACH and the Förderkreis der Galerie für Zeitgenössische Kunst in Leipzig. FLUFFY is a piece of clothing, […]

    SKIN

    SKIN II is capable to generate digital outfits in realtime to augment them on the users body. The user can move an observe the digital cloth like in a mirror on the own body. The outfits are created by complex algorithms, that follow design guidelines that we know from fashion collection.

    SCIN

    SCIN is a mobile application created as reaction to pandemic exhibition closure. This app makes you experience the generative SCIN outfit collection, which is based on complex algorithms that create a new appearance each time it is executed.

    AUTOMATON

    AUTOMATON deals with the textile and pattern archive of the Tannenhauer weaving mill, made from various style fabrics in Biedermeier designs. AUTOMATON is made up of five networked, mobile, minicomputers. Each machine is equipped with a scanning device and is thus able to visually analyze the textil

    SUPER_ID

    SUPER_ID combines face and voice recognition technology in an artistic way. The user creates a unique avatar using biometric data, which is projected onto the face in real-time by face-tracking similar to a mask or tattoo. The encryption of personal data is mixed with a direct visualization through

    TAPESTRY

    The Tapestry series includes three knitted double jacquard wall hangings. Each work is based on an artificial intelligence, which is trained using traditional weaving and knitting patterns and programmed to independently interpret these templates.

    WEBMASCHINE

    The weaving machine series includes three hand-woven jacquard patterns that materialize the training process of an artificial intelligence together with human input and execution.

    GHOST

    Do you have some idea of what the artificial intelligence might be thinking right now? What responsibilities should machines take on? Imagine a world full of intelligent machines. What role […]


    TAGS

  • activism
  • ai
  • algorithm
  • app
  • archive
  • arduino
  • artisticresearch
  • augmentedreality
  • automation
  • biomorph
  • body
  • bodypositivity
  • c#
  • console
  • creation
  • creativity
  • crowd
  • dance
  • design
  • digital
  • digitalfashion
  • diy
  • electronics
  • empowerment
  • esp32
  • exhibition
  • facefilter
  • fashion
  • flexible
  • form
  • gaming
  • generative
  • guesture
  • hand
  • handtracking
  • identification
  • img2img
  • installation
  • interaction
  • interface
  • jaquard
  • knitting
  • lowpower
  • machinelearning
  • method
  • motion
  • pattern
  • patterns
  • performance
  • prototyping
  • representation
  • sculpting
  • silicone
  • space
  • stablediffusion
  • sustainability
  • textile
  • tool
  • touch
  • tracking
  • ui
  • unity
  • weaving


  • ABOUT

    triŞtคຖ Ş¢hนlຊē is an online collection of projects made by Tristan Schulze - artist, designer, coder, you name it :) . This collection includes concepts & prototypes and finished pieces.

    Tristan Schulze's works are shown in a wide variety of contexts and at international locations in an artistic and creative context.





    EDITORIAL

    The obvious policy required. POLICY